Eight galleries along Rämistrasse cordially invite you to a joyful pro-holiday gathering of art and music.

The evening will be musically accompanied by violinist Amia Janicki and cellist Antonia Straka, who will perform in the galleries and create a musical thread along Rämistrasse. Guests are invited to stroll from gallery to gallery, discover new works, and come together in a relaxed atmosphere.

Participating galleries include Pascal Robert Gallery, Galerie Tschudi, Fabian & Claude Walter Galerie, Fabienne Levy Gallery, Galerie Peter Kilchmann, Galerie Urs Meile, Galerie Haas and Mai 36 Galerie.

The event will take place on Friday, 19 December, from 6 to 9 pm.

KLANG & KUNST – Program

Pascal Robert Gallery – 6 pm (7’30)
Maurice Ravel, Sonate for Violine und Violoncello

Galerie Tschudi – 6:25 pm (10’30)
Maurice Ravel, Sonate for Violine und Violoncello

Fabienne Levy Gallery – 6:50 pm (8′)
J.S. Bach, Cello Suite No. 3 in C major: Sarabande and Gigue

Fabian & Claude Walter Galerie – 7:15 pm (6’30 Min)
S. Sciarrino, Caprice No. 2 for Solo Violin, Andante
C. P. E. Bach, Presto in C minor for Violin and Cello, H. 230

Galerie Peter Kilchmann – 7:35 pm (6’30)
E. Ysaye, Sonata No. 3 for Solo Violin, Ballade

Galerie Urs Meile – 8 pm (9′)
György Ligeti, Sonata for solo cello

Galerie Haas – 8:25 pm (7’30)
N. Matteis Jr., Fantasia for Solo Violin
Pablo Casals, Song of the Birds for Solo Cello

Mai 36 Galerie – 8:45 pm (8’30)
Kaija Saariaho, Nocturne for Solo Violin
Sofia Gubaidulina, from 10 Preludes for Solo Cello, Nos. 1 and 2

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Opening: Friday, 29 August 2025, 6 pm

The work of Roger Humbert (1929–2022) positions him as a pioneer of Swiss photography. Humbert’s guiding principle, “I photograph light”, substantiates his artistic exploration of the interplay between subject and object, materiality and consciousness, and thus physics and metaphysics. He produced the majority of his photographs “to engage the mind” in the solitude of the darkroom at night. In non-repeatable ways, this artist played with stencils, which served him as pre-digital image generators, resulting in unique photograms and luminograms. In the 1960s, together with René Mächler, Rolf Schroeter and Jean-Frédéric Schnyder, he established ‘concrete photography’, a movement still well-known today.

The exhibition presents an overview of Humbert’s oeuvre, much of which has been housed at Fotostiftung Schweiz since 2007. Not only camera-less photographs are on display, but also series in which he documented the world of objects. At the age of 90, Humbert was still enthusiastically investigating digital methods of capturing light. The juxtaposition of this late work with his early analogue light experiments visualises Humbert’s ambitions and demonstrates an intertwining of independent artwork with the day-to-day business of a photographer in the applied domain, who ran a successful studio in Basel.

More information 

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The new art fair for Zurich, Art Salon Zurich, will embody exactly what has long distinguished the city of Zurich: a unique platform for art—for everyone who is curious, committed, and passionately interested. We cordially invite you to join us from October 23 to 26, 2025.

This year, more than 35 galleries and cultural foundations from five countries will be participating, presenting around 150 national and international, both emerging and established positions in modern and contemporary art.

Halle 622
Therese-Giehse-Strasse 10
8050 Zurich

More information

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At Booth 21, we are presenting a selection of iconic photographs by internationally renowned photographers: Manuel Álvarez Bravo, Werner Bischof, Édouard Boubat, Balthasar Burkhard, René Burri, Henri Cartier-Bresson, Robert Frank, Gisèle Freund, Lee Friedlander, Saul Leiter, Robert Mapplethorpe, Jock Sturges, Christian Vogt, Don Worth, and others.

A particular highlight of the presentation is an important group of rare photograms from the 1960s by Roger Humbert, a pioneer of Concrete Photography. On the occasion of his solo exhibition at Fotostiftung Schweiz in Winterthur, opening on August 29, this selection emphasizes his continued artistic relevance.

We are also showing selected photographs by Sonja-Maria Schobinger from her series “Still lives”, “Trees” and “Anthemis Nobilis”, accompanied by a written contribution from Dr. Astrid Bextermöller, art mediator and art historian at Helvetia Art Insurance, Basel.

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The work of Roger Humbert (1929 – 2022) positions him as a pioneer in 20th century photography. His dictum “I photograph the light” describes the coincidence of subject and object, of materiality and consciousness and thus of physics and metaphysics within his artistic research work. His photographs for intellectual use. Humbert produces most of them in the solitude of the darkroom at night: unique photograms and luminograms are created through the unrepeatable play with templates, which serve the artist as pre-digital image generators. Together with René Mächler, Rolf Schroeter and Jean-Frederick Schnyder, he founded concrete photography in the 1960s.

The exhibition will be shown at the Fotostiftung Schweiz from 21.06 to 12.10.2025.

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The new art fair for Zurich, Art Salon Zurich, will embody what has long characterized the city of Zurich: a unique platform for art – for all those who are curious, committed and passionately interested. We cordially invite you to join us from October 23 to 27, 2024.

This year, over 30 galleries from five nations are taking part, presenting around 150 national and international, both emerging and established positions in modern and contemporary art.

Werkstadt Zürich
Halle D, Süd
Hohlstrasse 400
8048 Zürich

More information

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We are delighted to participate in the 2024 season opening of “Zürich1” – the community of galleries in Kreis 1 around the Kunsthaus. For this occasion, our gallery will be open on Friday, September 13 and Saturday, September 14 from 11 am to 8 pm.

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with works byJuan Carlos Alom (CUB), René Burri (CH), Lee Friedlander (USA), Gabriella Gerosa (CH), Peter Hebeisen (CH), Roger Humbert (CH), Herb Ritts (USA), Luzia Simons (BRA), Sonja Maria Schobinger (CH), Annelies Štrba (CH) and Christian Vogt (CH).

Opening hours
Monday, June 10, 6 – 9 pm private view (vip invitation only)
Tuesday, June 11, from 12 – 8 pm
Wednesday, June 12, from 12 – 8 pm
Thursday, June 13, from 12 – 8 pm
Friday, June 14, from 12 – 8 pm
Saturday, June 15, from 12 – 8 pm
Sunday, June 16th, from 12 – 6 pm

More information 

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Gallery Opening Hours
Friday, 7 Juni from 11 am to 9 pm
Saturday, 8 June from 11 to 8 pm

During the Zurich Art Weekend on June 7 and 8, the Fabian & Claude Walter Gallery is opening the exhibition CLASH in the cabinet with works by Carlo Borer, Arnold Helbling, Hanspeter Hofmann and Hanna Roeckle.

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Scarzella has identified twenty photographers within the collection whose works offer a broad overview of the way in which photography has portrayed Nature and the way in which Nature has inspired the most diverse photographic works. Starting from the iconic silhouettes of plants by Karl Blossfeldt (1865 – 1932), the exhibition moves through well-known and lesser-known names and works such as the x-ray photographs of flowers taken by Dr. Darin L. Tasker (1872 – 1964), juxtaposed with milestones of the genre such as the impeccable still-life by Kenro Izu (1949) and Tom Baril (1952). From the idyllic worlds of Annelies Štrba (1947) we move on to the meticulous ethnographic documentation of Edward Sheriff Curtis (1868-1952) up to the landscapes suspended in time of Sarah Moon (1941) to then arrive at Masahisa Fukase’s (1934 – 2012) photographs of flocks of crows as an allegory of pain and studies on clouds as a metaphor for life by Alfred Stieglitz (1864 – 1946).

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The young art fair “Art Salon Zürich” is starting into its second round. From 28th of September to 1st of October 2023, over 6,000 visitors are expected. The fair will be taking place at the SBB Areal at Hohlstrasse 400 between Bahnhof Hardbrücke and Altstetten, in the vibrant industrial area located in the city of Zurich. Thirty galleries from eight nations will display mainly modern, contemporary art. The art fair aims to inspire an open-minded, young art public and thus strikes a chord with a new generation of art lovers.

Art Salon Zurich mightily offers new art to Switzerland and Zurich. The young art fair stands for a multifaceted art scene and the sustainable art marketplace in Switzerland.

For further information click here. We are looking forward to your visit to the second edition of the new art fair Art Salon Zurich.

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Taking place during the Art Basel week at Volkshaus Basel, photo basel is the first and only photo art fair in Switzerland and is dedicated exclusively to photography. photo basel sees itself as an integrative and hybrid platform that connects all actors of the art world (online and IRL). We are delighted to announce our participation in the 8th edition of photo basel.

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Dr. Angelika Affentranger-Kirchrath will be in conversation with Hanna Roeckle and Romeo über ihre Arbeiten sprechen. The Artist Talk will be held in German.

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It is our pleasure to invite you to the Spring Apéro in the exhibitions HANNA ROECKLE | Dichroic Configurations and ROMEO VENDRAME | A Loner’s Choreography on Saturday, 1 April 2023 from 2 pm. The artists will be present and will be delighted to present the artworks to you personally with a glass of champagne or a coffee.

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The exhibition “Transformationen (Transformations)” centres on a selection of about 300 exhibits from the collection of the cooperative-based Mobiliar, which at this point comprises over 2000 artworks. Objects, sculptures, paintings, drawings, prints, videos, and photographs by over 100 artists are on display.

With works by Hanspeter Hofmann, Hanna Roeckle, Balthasar Burkhard, Cuno Amiet, John Baldessari, Fischli / Weiss (Peter Fischli und David Weiss), Urs Lüthi, Alexandra Navratil, Ernesto Neto, Franz Gertsch, Silvia Gertsch, Alfred Glaus, Max Gubler, Séverin Guelpa, Romuald Hazoumè, Raphael Hefti and many others.

More information

Museum Franz Gertsch
Platanenstrasse 3
CH-3401 Burgdorf

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4 March 2023, 10.30 am – 1 pm
Online and at Rahn+Bodmer Co.

Fabian & Claude Walter Galerie is excited to take part in Zurich 1: Forum. On this occasion, our gallery will be open on Friday, 3 March, from 11 am to 8 pm and on Saturday, 4 March, from 11 am to 6 pm.

What motivates someone to build up an art collection? What is the importance of institutional collections in communicating art to society? How can performance art be collected? You are invited to join virtually and gain expert insights into the passion, activity and meaning that underlie private and institutional collections.

10.30 am
Introduction and welcoming remarks by Victor Gisler and Fabian Lang 

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Annelies Štrba (*1947) is an observer and magician: She captures fleeting moments and creates dream images; life and art intertwine. When her children were small, the camera was part of everyday family life; at night, the mother would develop her prints in the darkroom. Again and again, she adopted new techniques and forms of presentation, for instance when she began working with video in the 1990s and when she eventually started to paint over photographs printed on canvas. While her earlier analogue works play with snapshot
aesthetics, her video stills and edited digital photographs achieve the intensity of expressionist paintings.

The Fotostiftung Schweiz collection contains a big group of Štrba’s early black-and-white photo canvases and colour photographs – intimate family scenes, but also bleak facades of large-panel-system buildings and high-rises. This retrospective exhibition, whose title quotes a poem by Emmy Hennings, presents these works for the first time. They are positioned around two newly conceived projections of the work cycles with which Annelies Štrba translated her view of the family into images: Shades of Time brings together photographs taken between 1974 and 1997, showing the children Sonja, Samuel and Linda as they grow up. Noonday is dedicated to her children’s children. When these series are seen together, the interweaving of eras becomes tangible. The visual worlds, characterised by subjectivity and intuition, merge to form one comprehensive cosmos.

Fotostiftung Schweiz
Grüzenstrasse 45
8400 Winterthur

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We are looking forward to toasting the New Year with you in the exhibition Carlo Borer | Random Perception. The artist will be present.

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Thomas Nickles Project is pleased to announce the first solo show with the gallery of Adrián Fernández, Sketch for a Monument, bringing together sculptures and photography from three different series: Pending Memories, Monument to the Incomplete Man and the eponymous Sketch for a Monument, focusing on aging industrial fantasy monuments of a future long since past, that constitute much of Fernández’s latest work. Featuring a combination of variously sized pieces, photography and sculptures are interconnected through the gallery, where a photographic mural serves as a link between both expressions; and it is in exploring the ways in which these bodies of works are interrelated from their very conception, that Fernández’s distinct practice deploys an array of degrees of abstraction – formal and symbolic – to negotiate the relationship between fiction, architecture, landscape, permanence and ideology.

THOMAS NICKLES PROJECT
 47 Orchard Street
New York, NY 10002
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Kunstmuseum Appenzell & Kunsthalle Ziegelhütte
Group exhibition with works by Hanna Roeckle and others

Kunstmuseum Appenzell andKunsthalle Ziegelhütte have been showing special exhibitions on international and regional art since 1998. Exhibitions from the museum’s own art collection are generated at regular intervals, focusing on various aspects of the two Appenzell painters Carl August Liner and Carl Walter Liner, classical modernism and contemporary art. The art collection of the Heinrich Gebert Kulturstiftung Appenzell has been significantly expanded through purchases and donations. In order to present, celebrate, but also question this expansion, Roland Scotti, in collaboration with the artists Regula Engeler and Jochen Heilek, who live in Bühler (AR), offers a journey through a cross-universe in all the rooms of the institution, in which two exhibitions exist and communicate with each other: “der welt viel tiefe welten” and “collecting revisited”.

KUNSTMUSEUM APPENZELL
Unterrainstrasse 5
9050 Appenzell

KUNSTHALLE ZIEGELHÜTTE
Ziegeleistrasse 14
9050 Appenzell

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The future can only be imagined on the starting point of the present, which in turn is oriented towards the past. The group exhibition “Future Memories” oscillates between these different temporalities and, starting from yesterday and today, takes aim at what still lies ahead. The focus is on living spaces, environments and infrastructures. Climatic changes, technical developments or wanton destruction through ongoing warlike events change infrastructures and living spaces and have an impact on the organisation of social (co)life. So what can a future look like based on today’s circumstances? What will we be confronted with in a later present? And what will we (have to) remember in the future?

With works by Arnold Helbling, Maya Bringolf, Patricia Bucher and Taiyo Onorato & Nico Krebs.

Galerie im Gluri Suter Huus
Bifangstrasse 1
5430 Wettingen
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The Swiss artist Thomas Ritz is showing new works from the past three years in the exhibition entitled Bruchlinien. Landscape is a core theme in Ritz’s oeuvre. Water, the primeval matter of life, is often a central carrier of meaning in the paintings. Thus, the pictorial worlds in his current show mainly show water landscapes – rivers or lakes, coastal stretches, ocean depths and distant sea horizons.

KÖPPE CONTEMPORARY
Knausstr. 19
14193 Berlin

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For the second time, an exhibition in the cabinet of the Museum Franz Gertsch provides an insight into the collection of the Keller-Wedekind Foundation, this time focusing on photography.
Diverse and profound associations inspire the works selected for this collection presentation “Your Life”. Birth, love, freedom and self-responsibility, beauty, finitude, death and eternity – what constitutes life, where does the meaning lie? Where do we come from, where are we going? What is really important? What defines our identity, how do we locate our personality? Are we hunters or hunted? The list of questions raised could go on and on – in the selection of 20 black-and-white and colour artist photographs, existential-philosophical themes are taken up visually and open up a space for thought, not without irony and hope.

With works by Balthasar Burkhard, Reto Camenisch, Marianne Engel, Peter Hebeisen, Urs Lüthi, Chantal Michel, Nadin Maria Rüfenacht, Shirana Shahbazi, Annelies Štrba, Anouk Tschanz.

Museum Franz Gertsch
Platanenstrasse 3
3400 Burgdorf
Schweiz

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Zürichs new art fair Art Salon Zürich will primarily focus on the needs of art galleries, art dealers and their respective artists.The aim is to reach and cater to a national and also international audience and collector base. Art Salon Zürich is your prime destination for discovering emerging talents as well as established artists of all art genres.

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Anita Neugebauer (1916-2012) founded Switzerland’s first photo gallery in 1976 and devoted herself to the mediation of international and national photography. With her gallery, exhibition and collecting activities, she became an important pioneer for the continuing development of photography in Switzerland. With the exhibition Anita’s Point of View, photo basel is dedicating a homage to the person who has done so much for Swiss photography.

In collaboration with Claudia Neugebauer and photo basel, and curated by Alessa Widmer, we endeavored to provide an intimate glimpse into the world of Anita Neugebauer. The purpose of this homage is not to show photographs relating to a particular theme or selected time period, but rather to convey Anita Neugebauer’s view of photography and her joy and passion towards the medium and therefore presenting Anita’s Point of View.

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Booth A4
With works by Peter Hebeisen, Roger Humbert, Luzia Simons, Jerry Uelsmann and Christian Vogt.

photo basel 2022
Volkshaus Basel
Rebgasse 12
CH-4058 Basel

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Opening hours:
Friday, 10 June: 11 am – 9 pm
Saturday, 11 June: 11 am – 8 pm
Sunday, 12 June: 11 am – 6 pm

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Swiss artist Carlo Borer has created an extraordinary overall concept for the two exhibition rooms of the Kulturstiftung Basel H. Geiger. Large sculptures will be on display and an imposing landscape installation, all of which already very impressive at first sight. However, on second glance, they reveal a very pressing, current topical issue: overpopulation and the resulting massive destruction of our living space. Titled SLEEPING WITH THE GODS, Carlo Borer takes us into a partially colourful, partially bleak world, similar to how we experience reality.

Kulturstiftung Basel
H. Geiger | KBH.G
Spitalstrasse 18
4056 Basel
Switzerland

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The current exhibition BEDS | Bedtime Stories in Photography is extended until 23 April 2022. The exhibition can be visited by appointment. Please do not hesitate to contact us to make an appointment:

galerie@fabian-claude-walter.com
+41 (0) 44 440 40 18

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On April , 8Fabian & Claude Walter Galerie is hosting the book launch of the publication Brexit Bedrooms, published by primitivo. The book is accompanying the photographs of the series Brexit Bedrooms by Tatjana Rüegsegger, which are currently on view in the exhibition BEDS | Bedtime Stories in Photography.

In 2019, the consequences of Brexit for musicians were not yet foreseeable. The Brexit Bedrooms project started with the idea of documenting the challenges for the music industry. The pandemic allowed a preview of what Brexit might look like: Tours were cancelled and salaries dropped. During the exit negotiations in spring 2021, it became clear that the government will have no regard for touring musicians and their crews. In the future, visas for all EU and Schengen countries must be applied for individually. Especially for musicians and bands at the beginning of their career, but also for already well-known names, the situation is frustrating and triggers fears. 26 musicians welcomed Rüegsegger in their personal space, had themselves portrayed in their bedroom and talked very openly about their frustrations, their fears and thoughts on Brexit. The series and the accompanying book aim to shed light on the drastic consequences for the music industry.

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The exhibition “TAKE CARE: ART AND MEDICINE. Wanderings through the history of illness and healing” with over 300 works reveals how the apparently contrasting disciplines of art and medicine reflect physical humanity and the human psyche. It retraces key moments in medical history from the 19th century right up to the present day.

The exhibition comprises the positions of 50 artists from the 19th to the 21st centuries, with detours as far back as the 15th: Panteha Abareshi, Ilit Azoulay, Jean-Michel Basquiat, Sabian Baumann, Judith Bernstein, Joseph Beuys, Louise Bourgeois, Rachal Bradley, Stefan Burger, Sophie Calle, Sabina Carraro, Georges Chicotot, Honoré Daumier, Jean Dubuffet, Albrecht Dürer, Max Ernst, Adolf Fleischmann, General Idea, Michael Günzburger, Anna Halprin and Ruedi Gerber, Barbara Hammer, Christoph Hänsli, Duane Hanson, Lynn Hershman Leeson, Damien Hirst, Ferdinand Hodler, Andreas Hofer, Hanspeter Hofmann, huber.huber, Anna Jermolaewa, Hennric Jokeit, Fritz Kahn, Martin Kippenberger, Paul Klee, Herlinde Koelbl, Bruce Nauman, MANON, Michelle Miles, Shana Moulton, Thomas Müllenbach, Matt Mullican, Meret Oppenheim, Uriel Orlow, Herbert Ploberger, Maria Pomiansky, Marc Quinn, Arnulf Rainer, RELAX chiarenza & hauser & co, Pipilotti Rist, Ana Roldán, Pamela Rosenkranz, Corinne L. Rusch, Katja Schenker, Talaya Schmid, Kiki Smith, Veronika Spierenburg, Jules Spinatsch, Lucy Stein, Daniel Spoerri, Rosemarie Trockel, Luc Tuymans, Varlin, Andreas Vesalius, Lotte Luise Volger, Christine Tien Wang and Nives Widauer.

Kunsthaus Zürich
Heimplatz
8001 Zürich
More information

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The exhibition Brasilidade Pós-Modernismo was conceived for the Banco do Brasil Cultural Center (CCBB) to celebrate the Modern Art Week of 1922’s centenary , through traces, remnants and achievements acquired in fine arts in the last hundred years. The exhibition includes the participation of 51 artists and presents several characteristics that guide current Brazilian contemporary art, whose existence is owed, in part, to the artistic legacy and boldness idealized by Modernism. Curated by Tereza de Arruda.

With works by Luzia Simons, Adriana Varejão, Alex Flemming, André Azevedo, Anna Bella Geiger, Armarinhos Teixeira, Arnaldo Antunes, Augusto de Campos/Júlio Plaza, Barrão, Berna Reale, Beatriz Milhazes, Camila Soato, Caetano Dias, Cildo Meireles, Daiara Tukano, Daniel Lie, Delson Uchôa, Ernesto Neto, Emmanuel Nassar, Fábio Baroli, Farnese de Andrade, Flávio Cerqueira, Floriano Romano, Francisco de Almeida, Ge Viana, Glauco Rodrigues, Gisele Camargo, Jaider Esbell, Joaquim Paiva, Jorge Bodanzky, José De Quadros, José Rufino, Judith Lauand, Júlio Plaza, Lenora de Barros, Lina Bo Bardi, Lúcio Costa, Luiz Hermano, Márcia Xavier, Marlene Almeida, Maxwell Alexandre, Mira Schendel, Nelson Leirner, Oscar Niemeyer, Paulo Nazareth, Rejane Cantoni, Rodrigo Braga, Rosana Paulino, Rosilene Luduvico, Shirley Paes Leme e Tunga.

CCBB BRASÍLIA – CENTRO CULTURAL BANCO DO BRASIL
SCES, Trecho 2
Brasília – DF
Brasilien
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“Together with Adrián Fernández we move through statues that are actually models of future sculptures. Props for ephemeral scenographies. Puzzles. Tool. Laboratory tests with the impossible mission of finding a formula that will stop time.”
– Iván de la Nuez

“Significantly, in Fernández MEMORIAS PENDIENTES views, the structures are never shown as we imagine the were meant to be seen by the public. Instead, we view them from behind, like inhabitants of a Potemkin village, and see only the elaborate skeletal structure, now rusting and rotting, that once held up the bold image that we are left to guess at.”

Texts: Iván de la Nuez, Malcolm Daniel
158 pages
English, Spanish
28,5 x 24,5 cm
Hardcover

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Curated by Li Zhenhua.

RSVP inauguration: 2 May 2022
Book Launch: 22 May 2022

Villa Arconati-FAR
Via Fametta, 1, 20021 Castellazzo MI
Italy

More informationen

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Opening hours:
Friday, 4 March: 11 am – 20 pm
Saturday, 5 March: 11 am – 19 pm
Sunday, 6 March: 11 am – 19 pm

Event:
Opening of the exhibition BEDS | Bedtime Stories in Photography
Friday, 4 March: 5 pm – 20 pm

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Anna Wesle, curator at the Museum Franz Gertsch and Detta Kälin, president of the Keller-Wedekind Foundation will be in conversation with Andrea Muheim at the Fabian & Claude Walter Galerie next Saturday. The talk will be held in German.

Please note that at this event the 2G regulation applies as well as a mask requirement.

We have reached the maximum number of visitors. Unfortunately, there are no more seats available for the artist talk.

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The gallery will be closed from 24 December 2021 to 4 January 2022. The current exhibition Andrea Muheim | KWS Art Award 2021 can be visited again regularly from 5 January 2022.

We wish you a wonderful Christmas time, a successful year 2022 and are looking forward to exciting exhibitions and to seeing you again in the new year.

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This publication was produced as part of the exhibition “The Language of Light” by Roger Humbert at Fabian & Claude Walter Galerie from 28 August to 19 September 2021.

2021
German, English
82 pages
21 x 14 cm
Softcover

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The Fondation Herzog. A Laboratory for Photography is showing photographs by the pioneer of Concrete Photography Roger Humbert in the exhibition “Light | Form | Color” from December 3 to 12, 2021.

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Fondation Herzog
A Laboratory for Photography
Leimenstrasse 20
CH-4051 Basel

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Curators Sandra Gianfreda and Cathérine Hug have combined works from the Kunsthaus Collection with loans centred around the themes of earth, air, water and fire to create an associative itinerary that takes in not just the Chipperfield building at the Kunsthaus but also the passage adorned with art by Olafur Eliasson, before delving into the heart of the Moser complex with Joseph Beuys’s ‘Olivestone’ in the Müller building and ending in a ‘glacier room’.

On display are around 120 works by Annelies Štrba, Bernd and Hilla Becher, Joseph Beuys, Ursula Biemann, Nomin Bold, Gustave Courbet, Tony Cragg, Peter Fischli David Weiss, Albert Renger-Patzsch, Oliver Ressler, Germaine Richier, Ed Ruscha, David Shrigley, Jules Spinatsch, Thomas Struth, Vivian Suter and others.

Kunsthaus Zürich
Heimplatz
8001 Zürich

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21 – 26 September 2021

Opening Hours:
Mon, 20 September, 6 – 9 pm (by invitation only)
Tue, 21 September, 12 – 8 pm
Wed, 22 September, 12 – 8 pm
Thu, 23 September, 12 – 8 pm
Fri, 24 September, 12 – 8 pm
Sat, 25  September, 12 – 8 pm
Sun, 26 September, 12 – 6 pm

Exhibited Artists:
Roger Humbert
Luzia Simons
Romeo Vendrame

photo basel 2021
Volkshaus Basel
Rebgasse 12
CH-4058 Basel

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Fabian & Claude Walter Galerie is pleased to participate in this year’s Zurich Art Weekend and to present the exhibition “ROGER HUMBERT | THE LANGUAGE OF LIGHT”.

Opening hours
Fri, 17 September: 11 am – 8 pm
Sat, 18 September, 11 am – 8 pm
Sun, 19 September: 11 am – 6 pm

Events:
Guided Tour through the exhibition with Coffee & Croissants
Sat, 18 September, 11 am

More information

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Eastern Connecticut State University

“Our Tears Are Sweet, Our Laughter Venomous” is an exhilarating exploration of the work of twelve women artists of Iranian descent who challenge American media’s portrayal of Iran notable only for its extremism and anti-American policies, while ignoring the distinguished 2500 years history of Persian culture. Their art embodies a democratic ecosystem where resistance is nurtured, and alternative destinies are proclaimed. Though they work within the American branch of the Western art canon, their work is deeply inflected by memories of a land to which most fear returning.

With works by Samira Abbassy Roya Farassatt, Azadeh Hussaini, Arghavan Khosravi, Azita Moradkhani, Yasaman Moussavi, Zahra Nazari, Nazanin Naroozi, Afarin Rahminifar, Bahar Sabzevari and Anahita Vossoughi.

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Eastern Connecticut State University
83 Windham St, Willimantic, CT 06226
USA

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Fabian & Claude Walter Galerie is pleased to participate in this year’s Zurich Art Weekend and to present the exhibition “ROGER HUMBERT | THE LANGUAGE OF LIGHT”.

Opening hours
Fri, 17 September: 11 am – 8 pm
Sat, 18 September, 11 am – 8 pm
Sun, 19 September: 11 am – 6 pm

Events:
Guided Tour through the exhibition with Coffee & Croissants
Sat, 18 September, 11 am

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Opening: Saturday, 3 July 2021, 5 pm
Welcome speech: Vreni Müller-Hemmi, president Fondazione Garbald
Introduction: Stephan Kunz, artistic director Bündner Kunstmuseum, Chur

The exhibition is accompanied by a publication (German/Italian/English), edited by the Fondazione Garbald and the Bündner Kunstmuseum, Chur.

Villa Garbald
Via Principale 9
CH-7608 Castasegna

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“I am Nature – Of Vulnerability. Survival in the risk society”

ROHKUNSTBAU 26 is dedicated to the deep existential uncertainties that have been triggered by the Corona pandemic for many people. The starting point is our relationship to nature and the instrumental understanding of nature shaped by ideas of omnipotence and its consequences. For a long time now, scientific voices have been increasing that put causal connections between climate change and the loss of biodiversity on the one hand, and the repression of the habitats of other living beings with the outbreak of pandemics on the other hand, into a fruitful relationship. The destruction of the natural foundations of life by humans, exposes humanity to the dangers of disease and death. Through fears in times of pandemic, people do not consider the responsibility for their own actions, but project it onto nature itself and the invisible dangers. Viruses that people cannot see, hear, touch, taste or smell destroy everyday life.

With works by Luzia Simons, Armin Boehm, Etienne Chambaud, Claudia Chaseling, David Claerbout, Jochen Den, Nina Fischer & Maruan el Sani, Gilbert & George, Noa Gur, Kapwani Kiwanga, Tong Kunniao, Nadia Lichtig, Michael Morgner, Michael Müller, Yoko Ono, Philippe Parreno, Laure Provost, Yhonnie Scarce, Daniel Steegman Mangrané and Anna Rún Trygvadottir. Curated by Dr. Heike Fuhlbrügge.

Schloss Lieberose
Schlosshof 3
15869 Lieberose
Germany

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The luxuriant equatorial forests and voluptuous vegetation of Brazil and the cultural implications of plant genera and flowers are integral to the imagery of Luzia Simons’s (b. Quixadá, Ceariá, Brazil, 1953; lives and works in Berlin) art. In watercolors, paintings, photographs, and tapestries, the artist probes the impenetrable role that nature plays, employing pictorial techniques of her own devising to create poetic studies of forms and colors. Simons is a pioneer in the development of the scanogram—a media technique that combines elements of painting and photography. Arranging blossoms and leaves of a wide range of tulip cultivars on a high-resolution scanner, she produces imposing works that boast intense and brilliant colors and stupendous definition. Just as nature and culture are in constant transformation, identities never remain fixed: that is what Simons’s work illustrates to stunning effect.

The publication Traces presents a comprehensive survey of the artist’s oeuvre and an overview of her exhibitions of the past three decades. With essays by Tereza de Arruda, Chantal Colleu-Dumond, and Irina Hiebert Grun.

196 pages
German, English, French
34,5 x 25,5 cm
Hardcover

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Opening hours:
Friday, 11 June: 11 am – 7 pm
Saturday, 12 June: 11 am – 7 pm
Sunday, 13 June: 11 am – 7 pm

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